View source for MASTER CLASS "From Concept to Display: Exhibition-Making as a Collaborative Practice" with JANA HÄCKEL AND ANNE-FRANÇOISE LESUISSE

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'''Please sign up for one Master Class only.''' If you wish to take a second class, please add yourself to the '''Waiting List''' for now. Those students not inscribed for the 'Masterproef' can also add their names to the Waiting List, however those students inscribed for the 'Masterproef' have first priority.
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<strong>MASTER CLASS "From Concept to Display: Exhibition-Making as a Collaborative Practice" with JANA HÄCKEL AND ANNE-FRANÇOISE LESUISSE</strong>

<span style="color:red">April 13 – May 3, 2026 with exhibition Opening: April 24, 2026, Zwarte Zaal KASK</span>

<strong>NOTE: THIS MASTER CLASS IS ORGANISED BY THE MASTER IN PHOTOGRAPHY (4 PLACES ONLY)</strong>

<strong>AS THIS MASTER CLASS IS ORGANISED BY THE MASTER IN PHOTOGRAPHY A SELECTION WILL BE MADE FOR ARTISTS THAT WORK WITH 'LENS-BASED MEDIA'. Please send your application to Anne-Frnçoise Lesuisse / annefrancoise.lesuisse@hogent.be by SEPTEMBER 29TH! </strong>

This elective offers a hands-on introduction to exhibition making, guiding students through the process of turning a conceptual idea into a realized project within a two-week timeframe. Following an initial exploration of curatorial theories and approaches in photography, students will develop and produce their own exhibition — from concept to completion — covering all aspects of the production process.

The course also emphasizes scenography and mediation, including writing exhibition texts, creating a publication, and managing communication across social media platforms. Here, photography serves not as the final product but as the point of departure — a medium through which students can explore how two-dimensional images can be translated into spatial experiences.

The curatorial process mirrors this spirit of experimentation and play. Each participating artist will collaborate with a curator from the KASK Curatorial Studies Program, engaging in in-depth dialogue to shape their presentation. These individual projects will then come together in a collective group exhibition that embodies the idea of an exhibition as a "collective body."

The goal is to help students reframe their relationship to their own work, breaking down barriers around production and presentation through a collaborative, empowering learning environment. To further enrich this experience, external guest critics will be invited to review the final exhibition and provide individual feedback.


Sign up by clicking <strong>[https://masterfinearts.schoolofarts.be/index.php?title=Master_Classes&action=edit HERE]</strong> to open the page Edit mode. <strong>Do not forget to click the blue button SAVE CHANGES bottom left of the page to save your entry.</strong>
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* 1 Frieda De Doncker
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