Editing MASTER CLASS "THINKING A BOOK " with LUC DERYCKE

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'''Please sign up for one Master Class only.''' If you wish to take a second class, please add yourself to the '''Waiting List''' for now. Those students not inscribed for the 'Masterproef' can also add their names to the Waiting List, however those students inscribed for the 'Masterproef' have first priority.
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<strong>THINKING A BOOK " with Luc Derycke </strong>

<span style="color:red">8–11 December 2025</span>

<strong>NOTE: THIS MASTER CLASS IS ORGANISED BY THE MASTER IN GRAPHIC DESIGN (2 PLACES ONLY)</strong>

Everyone who has been involved in the making of a book will know that the word book does not (solely) refer to the object (or run of identical objects) that is the final result of book making; it is rather to be considered as a process. As such it is not a thing but a mental — logical —  space, and the activity it requires is as Wittgenstein would name it: the “picturing of facts” — through both language and imagery. 
We can consider every book project stemming from a wide rhizomatic entangled field, and a book process as a kind of killing field, a furious haptic pruning that usually results in a string of words and/or images, in an art book typically in the form of a list, in textbooks a sequence of words, grouped as numbered chapters, verses, pages. 
A string, especially when very long, would make an un-wieldy object. So it must be compacted, conditioned to be rolled into a scroll, or folded into a book. Materials and a machine park are available to bring this about, and pack a book in books that can be handled, looked at, read, and kept on a shelve. 
 
All this requires thinking, often thinking in concert by a group of people. This is possible because they are thinking a book — that is simultaneously the case and not the case yet: in process. This thinking will design the book. The design can be split in strictly divided tasks, such as writing, editing, iconography, sequencing, graphic design, publishing, marketing, financing etc…, all thinking a book. As in the end only one book can be the case, all thinking will have to be expressed in one design: the book as an object. This one design however, is a combination of many designs, and the fact of combination and the fact that it is so combined is what makes up a book. When the object appears (pe: rolls of a binding machine) it fatally mirrors all thinking invested. 
 
This masterclass is about the book before it is formed into an object. About the many states a book can be in without being an object. About book process debate. About picturing a book as a combination of facts. 

Sign up by clicking <strong>[https://masterfinearts.schoolofarts.be/index.php?title=Master_Classes&action=edit HERE]</strong> to open the page Edit mode. <strong>Do not forget to click the blue button SAVE CHANGES bottom left of the page to save your entry.</strong>
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* 1 Amber Verhulst
* 2 Adèle Kaïdi

Waiting list
* 1 Aileen Kim (already signed up for F.I.E.L.D.)